Bruce Conner, Take the 5:10 to Dreamland (1976)
Check out a selection of Bruce Conner’s inkblots at Kadist SF’s newest 24 Hour Exhibition, Representation and its Discontents, opening tonight at 5pm.
via lepasau-dela
Lars Laumann, Hatful of cocteau, 2008. Silkscreen, 80 x 60 cm. Maureen Paley Gallery
Alexandre Arrechea, White Corner and Pedro Reyes, Instant Rockstar. Photo credit Joshua Band / SFAI
The opening night of ¡Oye, Mira! saw an exciting presentation of Alexandre Arrechea’s White Corner and Pedro Reyes’ Instant Rockstar projected onto the iconic San Francisco Art Institute building.
There’s still time to catch the exhibition, curated by Kadist Advisor Tony Labat. The exhibition is on view through June 8.
Young-hae Chang Heavy Industries, trailer for Pacific Limn, 2013
Last Saturday, Taiwan-based magazine WHITE FUNGUS held a release event for its 13th issue during their one-month residency in San Francisco at Kadist Art Foundation.
Contributing author Ron Drummond read from his essay/fiction hybrid, “The First Woman on Mars,” a story that proposes an original Mars settlement scenario with the potential to serve as the inspirational and “dramatic centerpiece” to unite all human endeavors in space. He was joined by Kim Stanley Robinson, the science fiction writer and award-winning author of the Mars Trilogy and 2312. Together they discussed the social, economic, and political implications of the human push into space and efforts to colonize Mars, as well as the ecological and sociological sustainability of life on the red planet and elsewhere in the solar system.
Ryan Gander, Be Prepared, 2013 (detail)
Arnisa Zeqo’s review of Ryan Gander’s solo exhibition at Annet Gelink Gallery in Amsterdam has just been posted on Art Agenda. The exhibition entitled Once upon a Bicycle, not so long ago features a new body of work and will be on view through May 18.
“Workers Install Paul McCarthy’s Balloon Dog, photo by Fred R. Conrad, The New York Times“ (via dreamdogsart)
via installator
Making of the serigraphy of the cover for the publication “L’exigence de la saudade”. Based on a Padmini Chettur ‘s choregraphic note.
