May 2012
27 posts
1 tag
Just published:
Akram Zaatari, A Conversation with an Imagined Israeli Filmmaker Named Avi Mograbi
Co-published with BlackJack éditions, Sternberg Press, Les Laboratoires d’Aubervilliers. With support from the Kadist Art Foundation.
Jason Fulford, Mushroom Machine.
2 tags
1 tag
K, an exhibition curated by Kadist Curatorial Resident Juan A. Gaitán at the Wattis Institute.
In the world of literature, K is the alternative to both the “I” of psychoanalysis and the “we” of politics. In Franz Kafka’s books The Trial (1925) and The Castle (1926), K signifies the simultaneous and reciprocal emergence of the institution and its subject. Without K there is no process, no...
1 tag
1 tag
1 tag
1 tag
1 tag
2 tags
When it Stops Dripping from the Ceiling (An...
curated by Bassam El Baroni Opening reception: Tuesday, June 12 from 6 to 9 pm Exhibition dates: June 14 – July 29, 2012 With : Jesse Ash, Luis Camnitzer, Iman Issa, Per-Oskar Leu, Metahaven, Setareh Shahbazi, Humberto Velez; also featuring: unidentified copies of sculptural works by Martin Kippenberger
Jesse Ash, Composing a Battle for Narrative (2011)
Kadist Art Foundation is pleased...
2 tags
1 tag
2 tags
David Kasprzak, Kadist/Wattis Curatorial Fellow
“Nobel Prize winner Alexis Carrel once said, ‘The atmosphere of libraries, lecture rooms, and laboratories is dangerous to those who shut themselves up in them too long. It separates us from reality like a fog.’ This is a reality that I’ve experienced throughout my studies, but the Kadist Foundation lecture series functions in reverse. Being that we live in San Francisco, I...
4 tags
2 tags
1 tag
In Protest
1 tag
2 tags
1 tag
Tony Oursler hosted by Tony Labat.
6 tags
The Forbidden Zone (2000) by Harrell Fletcher, featured on J&L Video, a compilation of films and animations from around the world. DVD copies at the Reading Shop.
Pictures of Exterritory project at Comptoir... →
2 tags
5 tags
6 tags
“On one level I started by saying that this is kind of an art project because that helped me dupe myself into deeply investing. Because I know how to deeply invest in my studio practice. I know how to work sleepless nights to do a thing for my art practice; I don’t know how to do that for the real world.”
Theaster Gates interviewed on “Dorchester Project,” a...